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      "value": "Pen nib mask: The base fabric used for this mask comes from Iran; known as \u2018zari douzi\u2019, it is woven with gold thread. Bita had a cutting and some years ago she silkscreened a print of a pen nib on to it, as well as the Farsi phrase \u2018zarin khat\u2019, \u2018golden writing\u2019. This alludes to the use of actual pen nibs sewn onto tunics made from threadbare Middle Eastern carpets, in a series she produced in 2013 entitled \u2018The Letter that Never Arrived\u2019. She talks about the \u201ccomplexity of communication\u201d being a constant theme in her work. In converting this textile cutting to a mask, she loved the fact that the pen nib sits exactly on the lips of the wearer, \u201cshowing that the concept of freedom of expression is a fragile one\u201d. This mask is lined with silk at the back, and has a wire sewn through it to keep it easily on the face. "
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      "value": "Iran (made)"
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      "value": "ME.14-2021"
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  "description": "Pen nib mask: The base fabric used for this mask comes from Iran; known as \u2018zari douzi\u2019, it is woven with gold thread. Bita had a cutting and some years ago she silkscreened a print of a pen nib on to it, as well as the Farsi phrase \u2018zarin khat\u2019, \u2018golden writing\u2019. This alludes to the use of actual pen nibs sewn onto tunics made from threadbare Middle Eastern carpets, in a series she produced in 2013 entitled \u2018The Letter that Never Arrived\u2019. She talks about the \u201ccomplexity of communication\u201d being a constant theme in her work. In converting this textile cutting to a mask, she loved the fact that the pen nib sits exactly on the lips of the wearer, \u201cshowing that the concept of freedom of expression is a fragile one\u201d. This mask is lined with silk at the back, and has a wire sewn through it to keep it easily on the face. ",
  "attribution": "\u00a9Victoria and Albert Museum, London",
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